ROSWELL: WHAT MIGHT HAVE BEEN - "The Witness" - 07/28/02

VOICEOVER
Previously on Roswell: What Might Have Been ...

  1 EXT. ROSWELL CIVIC PARK - DAY

Alex's attention is drawn across the street. Isabel notices and turns to see what he is looking at. It's Larry Trilling; he's going up to people, talking to them briefly and then moving on to the next.

ALEX
What do you suppose he's up to?

ISABEL
I don't know, but something tells me he's not running for mayor.

  2 EXT. WEST ROSWELL HIGH SCHOOL QUAD - DAY

LIZ
So, I don't know why I didn't think of it before. I just have to show my parents what a wonderful guy Max really is--

Cut to Max and Alex:

MAX
Once they get to know her, they'll realize that she's warm, loving, kind, considerate, intelligent, responsible--

Cut to Liz and Maria:

LIZ
... caring, compassionate, smart, level-headed ... well, really, how can they not like him? Right?

MARIA
Absolutely! You'll have them seeing the light of day in no time.

LIZ
(sighs)
It's just the waiting that's the hard part.

  3 INT. WEST ROSWELL HIGH SCHOOL LAB ROOM - DAY

MAX
I just wish there was a way to be together, in the meantime, without breaking our promises to our parents. At the time they were so upset ... agreeing to stay apart seemed the best thing to do. I just assumed, once they cooled down, they would change their minds.

LIZ
Yeah, me too.

MAX
But it's taking longer than I thought it would. And ... It's just when I see you, it hits me even more how much I miss you. It's like before, when I thought we could never be together, only now it's worse because now I truly know what I'm missing.

  4 INT. MICHAEL'S APARTMENT - MORNING

Maria picks up the receiver that Michael left on the counter.

MARIA
Hello?

AMY (VO)
Maria! Kitchen! NOW!

MARIA
(shocked)
Mom!?

  5 INT. DE LUCA KITCHEN - NIGHT

MARIA
(hopeful)
So ... I can still see him?

AMY
Yes.

Maria's eyes light up with pleasure and she gives Amy a big smile.

AMY (cont'd)
You're just not going to see him at his apartment.

The light in Maria's eyes dims slightly and her smile turns to a pout.

(pause)
AMY (cont'd)
I want you to invite Michael over for dinner tomorrow.

Maria's eyes widen and her mouth drops open.

MARIA
Michael? Here? For dinner? I don't think that's such a good idea.

AMY
I think it's a very good idea. I think it's high time I got to know Michael better, and that he gets to know me better. I think he needs to know how I expect him to behave around you.

Maria rolls her eyes.

MARIA
(under her breath)
Oh God, Michael is gonna hate this!

  6 INT. CRASHDOWN KITCHEN - DAY

MICHAEL
Both of your parents and Mrs. Evans all met here today.

LIZ
All of them? Together?

MICHAEL
Yeah.

LIZ
Why?

MICHAEL
I don't know but they were talking about knowing what goes on in your lives and reading your diaries.

LIZ
No! My mom would never do that.

  7 INT. CRASHDOWN - KITCHEN - DAY

Michael turns at the sound, in time to see the items on the shelf over the grill bounce once from the vibration. Luckily they all remain on the shelf, except for one--an open box of baking soda-- which is about to fall onto the burgers on the grill. He's not close enough to catch the box, but he steps forward, hand outstretched, in a vain attempt to do so. He is stunned when the box is deflected by a slight burst of energy, and its contents end up on the floor instead of the grill. Michael's mouth drops open and he just stares at the mess on the floor for a beat, then at his hand, then back at the baking soda. Realization hits and he quickly spins around to see if anyone observed his actions through the pass-through window; in particular--Kyle. No one, including Kyle and Tommy who are engrossed in their conversation, seems to have been paying any attention. Michael breathes a sigh of relief, but he's still a little shaken by the episode as he goes to clean up the mess in the kitchen. The camera cuts back to Kyle, who is looking at the now vacant pass-through window, with an enigmatic look on his face.

  8 INT. ROSWELL SHERIFF'S DEPT - NIGHT

VALENTI
Kyle! What are you doing here?

KYLE
(hesitantly)
I ... there's ... There's something I need to talk to you about.

VALENTI
I was just about to leave for home. It wasn't something that could wait till I got there?

KYLE
No ... I think it's better if I talk to you about it here.

VALENTI
(concerned)
OK. Let's go back to my office.

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Original contents copyright (C) 2002 by Roswell: What Might Have Been