ROSWELL: WHAT MIGHT HAVE BEEN - "Who Am I?" - 06/09/04 | |
1 | INT. MESALIKO RESERVATION CAVE - NIGHT (From Roswell Episode 107: River Dog) | |
Max and Liz are talking to River Dog.
Cut to:
2 | INT. ROSWELL SHERIFF'S DEPT. - VALENTI'S OFFICE - DAY (From Roswell Episode 115: Independence Day) | |
Hank walks into the Sheriff's office.
Cut to:
3 | EXT. WOODED AREA - NIGHT (From Roswell Episode 115: Independence Day) | |
Hank drives into a wooded area, stops the car, pops something into his mouth from a small container and pockets the container. He then gets out of the car, opens the back of the station wagon, drags out and buries the body of a man that looks just like him, then gets back into the car. A bright light eminates from the car as he shapeshifts into a Hispanic male, and again pops something into his mouth from the container and pockets it.
Cut to:
4 | EXT. HIGHWAY 42 - OLD RADIO TOWER - MORNING (From Roswell Episode 116: Sexual Healing) | |
Max and Liz are asleep on a blanket; the orb beside them. They wake up to find the Hispanic man from Independence Day watching them.
Cut to:
5 | INT. ALIEN ESSENCE - DAY (From RWMHB Episode 119: The Witness) | |
Amy is behind the counter, Jim in front.
Amy nods, which encourages Valenti to continue.
Cut to:
6 | EXT. WEST ROSWELL HIGH SCHOOL QUAD - NOON (From RWMHB Episode 119: The Witness) | |
Isabel and Michael are sitting at a table.
Cut to:
7 | INT. ALEX WHITMAN'S BEDROOM - NIGHT (From RWMHB Episode 119: The Witness) | |
Alex is in his room. He's putting things away in his dresser and notices the dance tickets he has stuck in the mirror. He flashes to Isabel laughing with Kyle, then puts them in a drawer. He goes to his desk and opens one of his books. He was using a dance flyer as a bookmark, and when he realizes what it is, he starts to crumple it. He stops when he notices there is an announcement for band auditions.
Cut to:
8 | INT. DE LUCA LIVING ROOM - NIGHT (From RWMHB Episode 119: The Witness) | |
9 | INT. SCOTTY'S BAR & GRILL - SAME (From RWMHB Episode 120: Limited Options) | |
Deputy Green and Larry Trilling are sitting across from each other in one of the booths.
Green throws some bills on the table and gets up. Larry does the same.
They head for the door. As they are walking out, a man (the same Hispanic man from Independence Day and Sexual Healing) looks around from the booth that was directly behind them and watches them exit.
Cut to:
10 | EXT. "ASTEROID FIELD" OUTDOOR SHOOTING RANGE - MIDNIGHT (From RWMHB Episode 120: Limited Options) | |
The moon is not yet full so Michael cups his hands and uses his power to provide enough illumination to check the field for spent bullets. Dissolves show a passage of time as Michael searches the field looking for the right caliber, picking up and discarding various bullets. We sense he is being watched and at one point so does he. He stops and looks around, doesn't see anything, so he shakes it off and continues searching the ground. Finally he finds the one he's looking for, holds it in his fist briefly to distort it and alter the markings.
Cut to:
11 | EXT. MICHAEL'S APARTMENT BUILDING - STREET - NIGHT (From RWMHB Episode 120: Limited Options) | |
As Michael gets to his door, Deputy Green steps out of the shadows. Maria, who was approaching, stops short.
Cut to:
12 | INT. JETTA - LATER (From RWMHB Episode 120: Limited Options) | |
Maria, Isabel, and Alex are sitting in the Jetta in the Sheriff's Dept. parking lot. Isabel is focused on a man who is entering the Sheriff's Dept.
Cut to:
13 | INT. CRASHDOWN - KITCHEN - LATER (From RWMHB Episode 120: Limited Options) | |
Jeff, Nancy, Liz, Maria, and Max are there. Jeff stoops and picks up an object Nancy is pointing at, then holds it in the palm of his hand to examine it. The others gather around.
He looks around then heads towards the pass-through window.
Cut to:
14 | EXT. SCOTTY'S BAR AND GRILL - SAME (From RWMHB Episode 120: Limited Options) | |
Alex is lurking in the shadows outside Scotty's, watching the front door. Suddenly the door opens and Hank walks out and up the street. Alex follows at a safe distance. Hank continues walking down the street with Alex following at a safe distance. Hank turns a corner down an alley. Before Alex can get there, a bright light shines out from the alley; then a man walks out, the same Hispanic man from Independence Day and Sexual Healing. He pops something into his mouth, pockets the small container, and continues down the street. Alex notices the man, but is curious about the light and turns down the alley. It's a dead end and no one is there. Alex looks back in the direction the Hispanic man went (which is now empty), then back to the alley. He starts looking around, behind trash bins, etc. to see if Hank is hiding, but finds nothing. Alex ends up standing in the middle of the alley looking baffled.
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