ROSWELL: WHAT MIGHT HAVE BEEN - "Breathing Lessons" - ACT IV - 01/26/05

ACT IV


  41 INT. WEST ROSWELL HIGH SCHOOL - GYMNASIUM - SAME

VALENTI
Mr. Evans, Ms. Parker, it's time to come back down to Earth.

Max and Liz look wide-eyed with worry at Valenti.

VALENTI (cont'd)
Tone it down; at least while under my watch.

Valenti walks away with a slight smile on his lips and Max and Liz both sigh with relief. The camera pans and stops at Michael and Maria, seated at a table. The band is playing another slow song. Michael is fidgeting, trying to get up the nerve, then surprises Maria by getting up, taking her hand, and leading her to the dance floor.

MARIA
(flabergasted)
Wh-- wha-- Oh my God, are you actually gonna dance!? I thought you said you don't.

MICHAEL
It was more like couldn't.

MARIA
So what, you ...
(wiggles her hand to suggest use of his powers)
and suddenly you can?

MICHAEL
No ... they don't work that way; you know that.

MARIA
So ... ?

MICHAEL
Isabel helped.

They start to dance. He's actually doing a decent job; holding her close, not stepping on her toes. Maria rests her head on his shoulder, enjoying the closeness.

MARIA
Isabel, huh? I'll have to make sure I thank her.

MICHAEL
We already did.

Maria looks up, confused.

MICHAEL (cont'd)
With the Peterson kids.

MARIA
(as it dawns on her what he's saying)
Whoa ... you did that for me, not Isabel?

The look on Maria's face tells Michael that he scored major points and he is pleasantly surprised. He leans down and they kiss. Just as it starts to heat up, a hand taps Michael on the shoulder. He breaks from the kiss and turns to see who interrupted them. The camera pulls back to reveal Mr. Seligman.

SELIGMAN
Rein in the primordial emotions, Mr. Guerin, Ms. DeLuca.

Seligman walks on, leaving Michael nonplused.

MICHAEL
(incredulous; softly to himself)
Primordial?

Dissolves show a passage of time; the various couples dancing to fast songs, Liz and Max with wild abandon--really enjoying themselves despite the band's performance, Alex and Isabel and Kyle and Vicky having fun, but not enjoying the "music" quite as much, especially Alex, and Michael and Maria giving it a try, but sitting most of the fast songs out. At one point we see Kyle carrying a decorated box (which looks like it might contain votes) towards the gym teacher's office. Elana and Vanessa, on the dance floor with their dates (ivy leaguer types) are watching him. Later the camera stops at a couple at the refreshment table. Elana and Vanessa and their dates are within hearing distance, as are Chris, Marcos and Nicky, but unseen by the couple. The lead singer of The Alienettes misses a high note.

MALE STUDENT
(cringing)
You know, I could of sworn Alex's band The Whits auditioned for this dance. What happened?

FEMALE STUDENT
Apparently the dance committee is tone deaf.

Elana and Vanessa look indignant. Their dates steer them away from the couple as if they are beneath them. Chris, Marcos and Nicky, getting punch, have heard and seen the above. They speak in conspiratorial whispers.

CHRIS
I wish we could say something.

MARCOS
Yeah, I know, but we promised Alex we wouldn't.

NICKY
It wouldn't be fair to Isabel to drag her into it.

They leave the refreshment table, carrying punch to their dates seated at another table. The camera keeps panning. The band is playing another slow song and the camera focuses on Alex and Isabel on the dance floor.

ALEX
I really like that dress.

ISABEL
Thank you.

Alex is quiet for a moment, trying to work up the courage to ask her something. Finally he goes for it.

ALEX
You wouldn't, by any chance, be ... visiting my dreams?

Isabel stiffens slightly and laughs nervously.

ISABEL
Why would you think that?

Alex holds her a little closer.

ALEX
Because this is a dream come true for me.

Isabel smiles and visibly relaxes.

ALEX (cont'd)
(thoughtfully)
I've envisioned this night, so many times ... but I never felt it would actually come true.

Alex relaxes his hold on her enough to make eye contact. He has a twinkle in his eye and a smile on his lips.

ALEX (cont'd)
Perhaps I should start dreaming of Porsches, next.

Isabel gives him a wry smile and a slight pinch on the arm.

ISABEL
Yeah, you do that.

ALEX
(laughing)
Ouch!
(pause)
You do realize we need to discuss privacy issues.

Isabel holds him closer and puts her head on his shoulder.

ISABEL
I know, but later. Let's not spoil the moment.

ALEX
(enjoying the closeness)
Right, let's not.

They continue to dance. He's suddenly more confident in himself and it shows. Alex twirls her around, then dips her, just like in his dream. They are both loving every minute of it. The camera pans and then stops on Amy, who is now sitting alone at the table watching the couples on the dance floor. The camera angle widens to include who Amy is watching--Maria and Michael slow dancing. She slips a small camera from her purse and takes a few pictures surreptitiously. The strobe lights mask the flash from the camera. Then she decides she wants to take one close up so she moves in. Maria spots her.

MARIA
Mom!

Maria beckons to Amy to come closer.

MARIA (cont'd)
(sotto voce)
What are you doing!? Put that camera away before someone sees you. Oh my God, I'm gonna be a laughingstock if anyone saw you.

AMY
(repentant)
I'm sorry, honey, but Jim and I had to get here early so I didn't get any pictures at the house and you two looked so sweet ...

MARIA
Just ... just ... put it away. OK?

Amy does and starts to walk away. Maria grabs her by the arm and leans in close so only Amy can hear.

MARIA (cont'd)
Did you get any good ones?

AMY
I think so.

MARIA
Did anyone see you?

AMY
I don't think so.

Maria gives her mom a thumbs up and Amy walks away. Maria continues dancing with Michael. As the song ends, Mr. Seligman gets on the microphone on stage to make an announcement.

SELIGMAN
Before The ...
(consults his notes)
Alienettes play the last song of the evening, I'd like to thank everyone for coming. I'd say it's been a pretty successful evening, wouldn't you?

There are cheers and applause from the students.

SELIGMAN (cont'd)
And I think the dance committee deserves a round of applause for all their hard work.

More cheers and applause from the students. Elana and Vanessa are eating it up and anticipating the announcement of the award.

SELIGMAN (cont'd)
And The Alienettes for the ... um ... wonderful job they did.

Slightly less enthusiastic applause.

SELIGMAN (cont'd)
So thanks once again and enjoy the last dance.

He hands the mike back to the lead singer of the band and turns to leave the stage. Elana and Vanessa look alarmed. Elana calls up to Seligman.

ELANA
What about my award?

VANESSA
(to Elana)
Your award? Don't you mean my award?

SELIGMAN
(turning back, confused)
I'm sorry, to what award are you referring?

ELANA
The Dance Committee Award, of course.

There are murmurs of puzzlement from the other students.

SELIGMAN
(to Elana and Vanessa)
There isn't an award for dance committee members.

This causes some snickering from the other students.

VOICE #1 FROM AUDIENCE
They want an award for bossing everyone around for months?

VOICE #2 FROM AUDIENCE
They don't even do these things because they care--it's just for their college applications.

VOICE #3 FROM AUDIENCE
Jeez, you two are a piece of work.

VANESSA
(derisively)
Work? Like you would even know the meaning of the word.

ELANA
Right! After all the work--

VOICE #4 FROM AUDIENCE
(interrupting)
Get over yourselves.

SELIGMAN
OK, OK, that's enough. Elana and Vanessa did put a lot of work into making this dance successful ...

Elana and Vanessa look smugly triumphant.

SELIGMAN (cont'd)
... but if any of you have a complaint about their methods, see me Monday during 3rd period.

Elana and Vanessa look aghast that he would even consider listening to the rabble. Chris, Marcos and Nicky, are in the audience nodding approval. Seligman motions to the lead singer to begin the last song and leaves the stage. Some students start gathering their things to leave, others head for the refreshment table, some to the restrooms, and others head for the dance floor for the last dance. Max and Liz and Alex and Isabel are among those on the dance floor. It's a slow dance. Neither Michael nor Vicky are anywhere to be seen. Kyle is at the refreshment table, munching on some chips. Maria is scanning the floor looking for someone. She spots Kyle and heads for the refreshment table.

MARIA
Have you seen Michael?

KYLE
I think I saw him head for the restroom.

Disappointed, Maria sighs and leans against the table.

MARIA
(to herself)
You should have known he wouldn't be around for the last dance.

The camera pans over to Valenti and Amy at one of the tables. Valenti gets up and extends his hand to Amy.

VALENTI
May I have this dance?

AMY
(slightly flustered)
Do you think we should? I mean we're supposed to be chaperoning.

VALENTI
I don't see any harm in doing the last bit of chaperoning from the dance floor, do you?

Amy smiles and takes his hand, letting him lead her to the dance floor. They begin to dance, forgetting about watching the students as they gaze deep into each other's eyes. The camera pulls back to reveal Kyle and Maria's reactions as they watch from the refreshment table--their eyes widening in shock. Valenti leans in for a kiss and Amy responds in kind.

MARIA
(horrified)
Oh my God! They're going public!

KYLE
(indignant)
Could they at least take it to the Eraser Room?

Cut to:

  42 EXT. EVANS HOME - FRONT YARD - LATER

Isabel and Alex are walking slowly, hand in hand, towards her front door. They keep their voices low.

ISABEL
So, did the dress give it away?

ALEX
This one only confirmed my suspicions; it was the first one that gave it away.

ISABEL
The first one?

ALEX
The one you wore to the rave in February, which was right after the dream I had of you and me dancing. You told me you knew I liked you in red, you knew how I felt about you, that I didn't want to maul you, that I could be trusted ... But we had never really spoken before that day, and I never told anyone else how I felt about you, so I often wondered how you knew those things. When you revealed that you could visit people in their dreams it suddenly all made sense.

ISABEL
Why didn't you say anything before now?

ALEX
I was waiting for you to say something. I figured when you wore almost the exact same dress tonight as in my dream, it was your way of telling me you had dreamwalked me.

ISABEL
(teasing nervously)
You're very astute, Dr. Freud.
(beat, seriously)
I should have told you, openly.

ALEX
(quietly)
Yeah.

ISABEL
Keeping secrets is what I do. I have to.

ALEX
I know.

ISABEL
Are you mad at me?

ALEX
Was that the only time?

ISABEL
Yes, I swear ... and I only did it then because we didn't know you and if you could be trusted.

ALEX
And you won't do it again ... at least not without permission?

ISABEL
No, I promise.

They have reached her front door. Alex is looking at Isabel as though she is the most beautiful thing he ever saw.

ALEX
Then how can I be mad?

They kiss. Lightly at first, then more passionately.

Cut to:

  43 INT. CRASHDOWN - BACK ROOM - SAME

The lights are dim. Max and Liz are at the bottom of the stairs leading to her apartment, saying goodnight. They are holding each other close, looking into each other's eyes. They keep their voices low, almost whispering.

MAX
Thank you for the most amazing evening.

LIZ
You're welcome. And thank you too.

She cups his face with her hands and draws him into a kiss that builds from gentle to passionate, but then is interrupted by a voice from upstairs.

JEFF (OS)
Liz ... it's getting late.

They stop kissing and embrace.

LIZ
Sorry.

MAX
No, he's right. It is late. I should go.

He doesn't move.

MAX (cont'd)
I wish it didn't have to end.

LIZ
It doesn't have to.

MAX
Oh, riiiight.
(nuzzling her neck)
So, half hour from now, we'll meet in your dreams.

The nuzzling tickles, so Liz giggles. She steps back slightly to look at him.

LIZ
(gentle reminder)
My dad could come down any minute.

MAX
Right, I'll be good.

Liz points towards the swinging door to indicate they should move to the main dining area, which they do, holding hands, and talking as they walk towards their favorite booth.

LIZ
(serious)
You know, I've been thinking a lot about dreamwalks lately. Like why you and Isabel haven't been able to dreamwalk this Desert Man.

MAX
Could be any number of reasons. Isabel thinks that if he is an alien shapeshifter, maybe the picture didn't work because it's not a true representation of him.

LIZ
That's a good point, but other factors could be involved. We just don't know enough about it.

Liz slides into the booth and Max slides next to her.

LIZ (cont'd)
I'm still not sure I understand how you can dreamwalk me when I'm not asleep.

MAX
I'm not really sure either. I asked Isabel about it and she didn't have a clue so Michael and I gave her permission to dreamwalk us while we were awake.

LIZ
And?

MAX
She got in, but not with the same ... clarity that we seem to have.

LIZ
Hmm, I wonder if that's significant.

MAX
(smiles)
I can practically see the wheels turning in your head. You really want to figure this out, don't you?

LIZ
(smiling back)
Just naturally curious; I guess it's the scientist in me.

MAX
OK, Dr. Parker, let's examine the evidence.

LIZ
Right. The first time you dreamwalked me I was asleep and I was dreaming, so I wasn't really sure if you were part of my dream or not ... but the second time, and all the times after, I've been awake, although in a sort of meditative state.

MAX
And the second time I wasn't even trying to dreamwalk you. I mean, I promised I would "knock" first and I didn't realize I could do it without Isabel's help. All I did was hold your picture in my hand ...
(he cups her face in his hands)
... and I was concentrating so hard on being with you ... then suddenly I was, but it was almost like a dream.

LIZ
(cupping his face with her hands)
And I was doing the exact same thing at the exact same time and suddenly I was with you ... almost as if you had pulled me into your dream.

MAX
(stroking her cheek)
Yeah, except it's not really a dream because we are aware of where we are but it is like a dream because we don't seem to have any control over what we see.

Their foreheads touch as they contemplate this. Suddenly something dawns on Max and he sits up straight, places his hands on Liz's shoulders and looks at her earnestly.

MAX (cont'd)
I just realized we have something else to add to the mix.

LIZ
What?

MAX
Tonight, at the dance. We shared a flash. You seemed to know what I saw.

LIZ
(wide-eyed)
I did; I saw it with you. That's never happened before.

MAX
What do you suppose that means?

LIZ
(mulling)
Not sure. I think we need to collect more data before making a hypothesis.

MAX
(smiling mischievously)
So as I was saying earlier, shall we meet in your dreams tonight?

LIZ
(smiling back)
Yes, let's.

Cut to:

  44 INT. MAX EVANS'S BEDROOM - MORNING

Max is dressed and is just finishing making his bed. He hears a tapping on his window. He goes to the window, opens it, and helps Liz climb through.

MAX
(smiling)
Morning.

LIZ
(smiling back)
Morning.

MAX
What a great way to start the day.

LIZ
I agree.

MAX
What would you like to do this morning?

Before she can answer, Isabel opens his door without knocking and enters. She's carrying the sketch of the Desert Man.

ISABEL
Max, I'd like to--

Isabel stops short when she sees Liz. She looks from Liz to Max to Max's partially made bed back to Liz.

ISABEL (cont'd)
(suspiciously)
Good morning, Liz.

LIZ
(hurriedly pointing to the window)
I just arrived. Max and I thought we'd hang out this morning before we have to go to work.

ISABEL
Oh, sorry to interrupt.

MAX
You're not interrupting. We don't have anything special planned. What did you want to talk about?

ISABEL
(holding out the sketch)
I just wanted to give this another try.

LIZ
Apparently we are all on the same wavelength.

MAX
Yes, Liz and I were just discussing last night about what might be preventing us from getting in.

LIZ
We did another dreamwalk together, to collect more data ...
(eyes lighting up with excitement)
but if I could observe you two that would be even more helpful.
(beat)
It won't bother you if I'm here, will it?

ISABEL
No, of course not. Considering our lack of success, I'm willing to try anything.

Max quickly finishes making his bed then he and Isabel sit at the edge of it. Liz sits cross-legged in the middle of the bed facing them. Isabel puts her hand on the drawing. Max does the same. They hold hands with their free hand, close their eyes and concentrate.

Cut to:

  45 INT. MICHAEL GUERIN'S APARTMENT - SAME

Maria, wearing her Crashdown uniform, is waiting for Michael to finish in the bathroom. She's standing in the living room, casually looking over the paltry items Michael has decorating his apartment (a few Metallica posters, etc) as she talks to him through the door.

MARIA
So I was talking to my mom when I got home last night and she agrees that we taught Elana and Vanessa a lesson they'll never forget!

Michael, wearing his Crashdown T-shirt, opens the bathroom door, exits and walks towards Maria.

MICHAEL
I don't doubt that for a minute.

He comes over and gives her a hug from behind.

MARIA
(smiling, then contemplatively)
You know, Michael, you really should get more things to personalize your apartment ... maybe some art for the walls instead of just posters, a few plants--

Maria stiffens slightly then steps away from Michael's hug and starts searching his apartment.

MARIA (cont'd)
Michael, what happened to the plant I gave you?

MICHAEL
(crestfallen)
Oh. I was hoping you wouldn't notice.

Michael goes behind the curtain that divides his bedroom from the living room then returns with a plant--the same plant that he accidentally exploded in "The Witness". Its pot has been seamlessly mended but the plant itself has not fully recovered from the shock and looks pathetic. Maria's mouth drops open. He places the plant on the counter and walks back towards her.

MARIA
What!? I don't believe it! I just gave you this plant a few weeks ago and already it's dying.

MICHAEL
This is the reason I broke up with you.

MARIA
(incredulous)
Because I gave you a plant?

MICHAEL
No, because I nearly killed it.

Michael raises his arm, about to demonstrate, but she doesn't realize what he is about to do and keeps talking.

MARIA
(sympathetically)
Michael, just because you don't have a green thumb--no pun intended--

The pot explodes and Maria lets out a startled scream. She stares at the shattered pot and uprooted plant, dumbfounded.

MICHAEL
That's what I'm talking about. I have the ability to destroy things and I don't know how to control it ...

Maria is still a little bit shaken but trying to remain calm and supportive. She takes his hand in hers.

MARIA
You can learn control ... I'll help you.

MICHAEL
That's what Max said ... but I'm not so sure.

MARIA
Then I'll be sure for you. We'll all help--
(beat)
Why haven't you told the others? You had the perfect opportunity on Friday.

MICHAEL
(walks away, nervous)
Because I don't want anyone getting hurt while I learn how to control it.
(turns towards her)
Especially you. I mean ... I can't even be trusted with a plant.

Maria walks towards Michael and puts her arms around him.

MARIA
(smiling)
I'm not a defenseless plant. I can take care of myself.

MICHAEL
(looking at her with admiration)
I don't doubt that for a minute.

They kiss.

Cut to:

  46 INT. MAX EVANS'S BEDROOM - CONTINUOUS

Max and Isabel are still concentrating. Liz is watching them intently, as if she is vicariously concentrating with them. Max and Isabel start to frown; it's obvious that no connection is being made. Liz seeing Max's look of disappointment places her hand on his in support and suddenly they are all in. All three feel as if they have been sucked into a vortex. Dark and disturbing images are whirling around; among them is Hank in a shallow grave with dirt being shoveled onto his face, another is of the Desert Man, in a military uniform, looking frightened, and someone's hand is on his chest. The images are so frightening that almost as soon as they got in, they break the connection. They sit there, wide-eyed and in shock.

Cut to:

  47 EXT. LIZ PARKER'S BALCONY - DAY

Liz is on her lounge writing in her journal.

LIZ (VO)
Disturbing doesn't even begin to describe how it felt.

Cut to:

  48 INT. ISABEL EVANS'S BEDROOM - SAME

Isabel is sitting on her bed, knees up against her chest, her arms around her legs, and she's rocking slightly as if to comfort herself. She looks distraught.

LIZ (VO) (cont'd)
It's been four hours and I'm still shaking.

Cut to:

  49 INT. MAX EVANS'S BEDROOM - SAME

Max is lying on his bed, looking up at the ceiling, rolling one of his healing stones in his hand like a worry stone.

LIZ (VO) (cont'd)
I don't know how we are going to tell the others that Nasedo may not be the solution, but instead the problem.

Cut to:

  50 INT. MICHAEL GUERIN'S APARTMENT - NIGHT

Max, Liz, Michael, Maria, Isabel, and Alex are all there sitting on the couch and arm chair. Maria is the first to break the stunned silence.

MARIA
(very quietly)
I guess we can stop looking for Hank.

ISABEL
Yeah.

MICHAEL
(to Max)
Did you see anyone else besides Hank and the Desert Man?

MAX
(shaking his head)
No. It was mostly just feelings ... a confusing jumble of despair, anger, loneliness ...

LIZ
It all happened so fast. We were only in for a second--

MICHAEL
(interrupting; confused)
We? You were in the dreamwalk?

LIZ
(sadly)
I accidentally hitched a ride.

(pause)

ALEX
So are we all in agreement here?

ISABEL
Agreement?

ALEX
That Nasedo doesn't sound like anyone we want to meet?

MARIA
(raising her hand)
You got my vote.

Cut to:

  51 EXT. WEST ROSWELL HIGH SCHOOL - QUAD - DAY

Wide angle view. Isabel is seated at a table with Alex; we do not hear their conversation. Alex collects his stuff, gives Isabel a quick kiss and leaves. Kyle, passing by, stops to say hi to Isabel; again, we don't hear their conversation. In the background the new girl is making the rounds at the various tables, introducing herself, shaking hands and moving on. Max and Liz are at another table. The camera focuses on them. We join them in mid-conversation. Their voices are low.

MAX
I've been thinking a lot about what you said. I don't think it was an accidental hitchhike.

LIZ
I swear, Max, I wasn't trying to intrude--

MAX
No, that's not what I meant. Isabel and I weren't having any luck getting in this time either, but the second you touched my hand ... I don't think you hitchhiked, I think you were driving.

Liz looks stunned. The camera switches to a wide-angle view. Elana and Vanessa enter the quad, spot Isabel and Kyle and head towards them in a hurry. The camera follows them. Kyle starts to leave, but they cut off his exit, glaring at him, with their arms crossed.

ELANA
Just what did you mean?

KYLE
(all innocence)
Mean?

VANESSA
When you said we should be nicer to "the little folk" or we wouldn't win.

ELANA
Yeah, win what?

KYLE
(enjoying the moment)
The admiration of your peers.

He walks away with a self-satisfied smirk, leaving them with dropped jaws. Isabel has been listening to the conversation. She goes into ice princess mode.

ISABEL
Ladies. The slack jaw look ... not pretty.

They quickly close their mouths. The new girl comes up behind them and taps Vanessa on the shoulder. She spins around angrily and is caught by surprise.

VANESSA
Who are you?

NEW GIRL
(unaffected; holding out her hand)
Hello. My name is Tess Harding.

She reaches out to shake hands. At first glance, Elana and Vanessa are impressed by her pretty face and respond in kind, but as they shake hands they give her the once over, taking in her less than fashionable (to them) style of dress, and their demeanor changes to disdain.

TESS (cont'd)
I'm new at this school.

ELANA
You're also in our way.

VANESSA
(gesturing to Tess to move)
Do you mind?

TESS
Oh, sorry.

Tess steps out of their way and they brush past her. Her face reflects her hurt feelings, but she recovers quickly when she notices Isabel. Isabel was observing the exchange and is looking strangely at Tess.

TESS
(holding out her hand to Isabel)
Hello. My name is Tess Harding. I'm new at this school.

Isabel looks at Tess's outstretched hand then slowly takes it. Tess's eyes fill with wonder; she takes Isabel's hand in both of hers, sits across from her, and stares into her eyes. There are flashes of young Isabel emerging from her pod and of her and young Max alone in the desert as the car approaches. Tess starts beaming. Isabel gets a flash of a white sun in a yellow sky--she is speechless and looks alarmed, as if the wind has been knocked out of her. Finally she gathers her wits and slowly disengages her hand from Tess's. Tess is watching her, expectantly. Isabel is so shocked she can barely catch her breath. Finally she regains her composure and gets up the courage to ask the question burning in her mind.

ISABEL
Nasedo?

TESS
No, but I can take you to him.

The camera focuses on Tess's bright smile as we fade out.

To be continued ...

END OF ACT IV

Potential solace for anyone who experiences distress at the very sight of the name "Tess".

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Original contents copyright (C) 2004-2005 by Roswell: What Might Have Been